Common Ground Community Concerts
and Urban H2O present
Over The Rhine
at Irvington Town Hall Theater
85 Main Street, Irvington NY
Karin Bergquist may be the finest singer on the alt-country / Americana scene right now, striking the perfect balance between earthy sensuality and ethereal grace.” – THE NEW YORK TIMES
“Karin Bergquist is a singer unparalleled in her subtle twists of emotion. Her voice has the power to stop the world in its tracks.” – PERFORMING SONGWRITER
“There may be no more soothing voice in music than Karin Bergquist’s. She could be interpreting jazz standards, but fortunately she applies that balm to her and husband Linford Detweiler’s beautifully languid originals…” – ENTERTAINMENT WEEKLY
Native Ohioans Linford Detweiler and Karin Bergquist launched Over the Rhine as a quartet in the spring of 1989, naming the ensemble after the historic, bohemian Cincinnati neighborhood Over-the-Rhine, where they lived and first wrote and recorded together. Their early demos and performances quickly struck a chord with listeners, and they already had a solid local following by the time they launched their recording career with a pair of well-received independently-released albums, Till We Have Faces (1991) and Patience (1992). Over the next two decades, Over the Rhine continued to build a musically and emotionally potent catalogue, encompassing the studio albums Eve (1994), Good Dog Bad Dog (1996), Films For Radio (2001), Ohio (2003), Drunkard’s Prayer (2005), The Trumpet Child (2007) and The Long Surrender (2011), the holiday-themed The Darkest Night of the Year (1996) and Snow Angels (2006), the live Changes Come (2004), and a series of limited-edition CDs featuring live, rare and unreleased material.The fierce independent streak that has fueled Over the Rhine from the start asserted itself when Bergquist and Detweiler decided to release 2007’s The Trumpet Child on their own Great Speckled Dog label (named after the couple’s Great Dane, Elroy). The Long Surrender marked the band’s first venture into fan-funded recording. “We are blessed with an incredibly devoted audience who’ve assured us that they have invited our music into many of the significant milestones a human can experience,” Detweiler states, adding, “People have told us that they fell in love, or walked down the aisle, or conceived, or went off to war, or buried loved ones, or gave birth to our music. And so forth. At the end of the day, what more can a songwriter ask for?” Meet Me At The Edge Of The World‘s effortlessly engaging, timelessly resonant songs more than justify such loyalty, once again validating Over the Rhine’s enduring musical mission. “We see our catalog as our life’s work,” Bergquist concludes. “It’s imperfect and broken, but we’ve also come to see our records as strangely beautiful and valid in their own way—much like life itself.”
ALL TICKETS FOR THIS SHOW ARE AVAILABLE THROUGH IRVINGTON TOWN HALL BOX OFFICE
$45 – Center Orchestra Rows A – C
$35 – Rest of Orchestra and Boxes 1-4
$30 – Balcony and Boxes 5 and 6
$20- Partially obstructed view
**All Online tickets incur an ITHT Facility & Handling Fee based on ticket price.
$48 – Center Orchestra Rows A – C
$38 – Rest of Orchestra and Boxes 1-4
$33 – Balcony and Boxes 5 and 6
$23 Partially obstructed view
Common Ground Coffeehouse
@ The First Unitarian Society of Westchester
25 Old Jackson Avenue
Eliza Gilkyson is a Grammy-nominated singer, songwriter and activist who has become one of the most respected musicians in Roots, Folk and Americana circles. The daughter of legendary songwriter Terry Gilkyson, she entered the music world as a teenager, recording demos for her father. Since then she has released 19 recordings of her own, and her songs have been covered by such notables as Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash.
She has appeared on NPR, Austin City Limits, Mountain Stage, e-town, XM Radio, Air America Radio and has toured worldwide as a solo artist and in support of Richard Thompson, Patty Griffin, Mary Chapin Carpenter, Dan Fogelberg, as well as with the Woody Guthrie review, Ribbon of Highway-Endless Skyway, alongside the Guthrie Family, Jimmy Lafave, Slaid Cleaves, and special guests Pete Seeger, Jackson Browne and Kris Kristofferson. She has been inducted into the Austin Music Hall of Fame alongside such legends as Willie Nelson, Townes Van Zandt and Nanci Griffith and is an ongoing winner of the Austin Chronicle’s various music awards, as well as Folk Alliance awards for Best Artist, Best Songwriter and Record of the Year.
Her 2005 album Land of Milk and Honey was nominated for a Grammy for Best Contemporary Folk Album. Eliza’s meditative “Requiem,” written as a prayer for those who lost their lives in the devastating tsunami in Southeast Asia, was recorded by the nationally recognized choral group Conspirare, whose version was nominated for a Grammy and won the prestigious Edison Award in Europe. The song has become a standard in choir repertory the world over. Two of her songs appeared on Joan Baez’ Grammy-nominated record, Day After Tomorrow.
In addition to touring in support of the highly acclaimed Roses at the End of Time, Eliza and her son, producer Cisco Ryder, are hard at work on a new album, The Nocturne Diaries, scheduled for release on March 18, 2014.
Eliza is an active member of the Austin music and political community, including the environmental organization Save Our Springs (www.sosalliance.org ), and she is a co-founder of www.5604manor.org , an Austin-based activist resource center.
Common Ground Coffeehouse
@ The First Unitarian Society of Westchester
25 Old Jackson Avenue
Jon Brooks, with Fred Gillen, Jr.
“I write songs to calm those who’ve looked into, and seen, what is in their hearts. I also write songs to terrify those who have not.” — Jon Brooks, September 2013
It was in 1997, at 28 years old, and at the end of a year of travelling throughout Eastern Europe, the former Soviet Union, and particularly, throughout war ruined Bosnia-Herzegovina – it was during this time when Jon Brooks discovered what kind of song he wanted to write. It was in 2005, 8 years later, he decided he was ready to write and sing that song.
No Mean City, released in 2006, was the first in a trilogy of albums of sparse instrumentation and densely layered poetry – a singular writing style characterized by paradox, understatement, overstatement, and by allusion to Western literary and folk traditions. It was followed by Ours and the Shepherds in 2007 and Moth Nor Rust in 2009. Each album is imprinted with a theme: architecture and homelessness of the modern urban soul; war; and all the things that neither moth nor rust may touch: love, hope, faith, memory, gratitude, trust, inspiration, and forgiveness.
Delicate Cages was initially released independently in November, 2011 but was formally re-released by Borealis Records in May 2012. The album earned Jon his third ‘Songwriter of the Year’ nomination in 5 years from The Canadian Folk Music Awards. Like its predecessors, the 11 songs on Delicate Cages were inter-woven to the larger common themes of love and fear; and freedom and imprisonment. The idea was inspired by the Robert Bly poem, Taking The Hands: ‘Taking the hands of someone you love,/you see they are delicate cages.’ Also consistent with Jon’s albums, the song subjects were as wide ranging as they were topical and controversial: the Alberta tar sands (Fort McMurray); Bill 101 and Quebec’s language laws (Hudson Girl); Palestinian suicide bombers (Son of Hamas); Bosnian child soldier turned Canadian mixed martial arts fighter (Cage Fighter); and so-called ‘Honour Killing’ (The Lonesome Death of Aqsa Parvez). Morally and politically ambiguous, Delicate Cages, offered what Jon has since called, “necessary and alternative understandings of ‘hope’ and ‘grief’ that are neither sanitized, dumbed down, nor cheapened or degraded by the modern lie of ‘closure.’”
Opening the evening is Fred Gillen Jr. Since his first solo concert in 1996, Gillen has traveled all over the U.S. and Europe singing his songs of hope and struggle at all types of venues, building a devoted following along the way. He feels at home performing at any type and size of venue, from a “house concert” in Indiana to Irving Plaza in New York City, to the main stages of festivals, and everything in between. He has played at many prestigious and famous venues, and just as many farmers markets, coffeehouses, pubs, and union rallies. With his sometimes partner Matt Turk he played for several years in the New York City subways as part of the MUNY (Music Under NY) program. At every performance he opens his heart and pours out the unglamorous but compelling tales of the marginalized and forgotten. His songs have often been described as both painfully intimate and universal, and this is what he strives for in writing them. His live performances are spontaneous celebrations of all that it is to be human; the joy and the pain, the comedy and the tragedy.
Tickets: $18 in advance, $20 at the door