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NEXT! The Andy Statman Trio, with David Goldman (Sat. 12/6, 7:30 pm)

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Common Ground Community Concerts
and
Irvington Town Hall Theater
85 Main St, Irvington, NY

present

The Andy Statman Trio

with David Goldman

“Andy Statman, clarinet and mandolin virtuoso, is an American visionary” — The New Yorker

” … One of the most important Jewish creative artists of the postwar era.” — The Jerusalem Post

Bill Monroe and John Coltrane poured into one person… He plays all those just great crazy jazz kind of licks, but with the heart and fire of Bill Monroe … I don’t know anyone else that approaches the mandolin the way he does.” —Ricky Skaggs, NPR

Had there been a planetarium in 19th century Galicia, or a kosher deli in Depression-era Kentucky, Andy Statman’s music might have been playing in the background. Meandering through time, geography and culture, the man and his inimitable hybrid sound move freely among the before, the after, and the present.

Andy Statman, one of his generation’s premier mandolinists and clarinetists, thinks of his compositions and performances as “spontaneous American-roots music and personal, prayerful hasidic music, by way of avant-garde jazz.” This modest man takes for granted that a performer might embody several worlds in his art, and seems humbled by the fact that his music, like his story, is extraordinary.

It’s a story Andy Statman rewrites with his trio every time they perform: “We’re creating an experience between the audience and us,” with their unconstrained meditations on hasidic music and groove-driven explorations of American-roots music. Statman’s long-time collaborators are bassist Jim Whitney and percussionist Larry Eagle. “At a certain point,”says Statman, “we’re just talking, just having a three-way conversation.” This “conversation” changes each time they take the stage, with no melody sounding quite the same as it did before. A totally un-self conscious performer, Andy Statman leaves audiences elated and at times mystified, having experienced a musical performance unlike any other.

In addition to the Andy Statman Trio, Jim Whitney appears in many musical worlds as a bassist. He is an original member of the jazz-bluegrass fusion group The Wayfaring Strangers, and has performed with such acting stars as Meryl Streep, John Goodman and Philip Seymour Hoffman as a member of the group Parabola, under the direction of composer/conductor Carter Burwell. He has appeared with jazz notables Anthony Braxton, Bill Frisell and Alan Dawson, and has worked with bluegrass luminaries Richard Greene, Tim O’Brien, David Grisman and Darol Anger. Also a proficient electric bass player, he appears in the country-rock group Miller’s Farm, and is a member of singer/pianist Debbie Deane’s soul and groove trio. Jim has toured extensively, having performed in Europe, Japan, Singapore, Israel, Central America, New Zealand, Canada, and much of the U.S.

Drummer and percussionist Larry Eagle keeps his musical portfolio diversified. He’s a founding member of Bruce Springsteen’s Sessions Band (which won a Grammy for traditional folk music), and played on R&B/Soul artist John Legend’s Grammy-winning second album. He’s played on a Blues Grammy nominee (with Odetta), a Country & Western Grammy nominee (with Andy) and recorded albums with bluegrass superstar Ricky Skaggs and powerful jazz/soul singer Lizz Wright. Larry has performed on The Tonight Show, Late Night with Conan O’Brien, Good Morning America, PBS, the BBC and an ice-breaking Baltic Sea ferry out of Naantali, Finland.

Opening the show is David Goldman, an award-winning & world-traveled multi-lingual singer/songwriter who performs in a wide variety of genres, including Blues, Latin, Acoustic Folk Rock, Pop/Jazz and World.

Tickets:
Advance – $35 – VIP (First four rows Center Orchestra); $25 – Rest of orchestra, balcony, boxes 3-6; $15 – Slightly obstructed viewing seats including box seats 1-2
At the Door Sales – $38 – VIP (First four rows Center Orchestra); $28 – All other seats (Rest of orchestra, balcony, box); $18 – Slightly obstructed seats including 1st box seats 1-2

RED MOLLY ORDER BAR

About Common Ground

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Common Ground Community Concerts is the producer the long-standing Common Ground Coffeehouse  at the First Unitarian Society of Westchester at 25 Old Jackson Avenue, outside of Hastings-on-Hudson NY. 
On occasion, we also present concerts at historic Irvington Town Hall Theater at 85 Main Street in Irvington NY and partner with community groups and non-profits to produce concerts in other locations as well.

All Common Ground locations are wheelchair accessible.

Common Ground was founded as an effort to build community and to support regional and national musicians and other artists. Since 2005, Common Ground has used its profits to operate the Common Ground Microcredit Fund. The fund raised has raised over $25,000 for local, regional and global community groups and organizations that provide either much needed social services or work toward progressive, nonviolent social change. For more information on Common Ground’s social justice mission, and to learn more about the Common Ground Microcredit Fund, please click here.

Now preparing for our 11th year, Common Ground has hosted such beloved national and regional artists as Richard Shindell, John Hammond, Eliza GilkysonEllis Paul, Red Molly,  Chris Smither, Andy Statman, Susan Werner, and many more. For many years, Common Ground was a regular stop on the Falcon Ridge Folk Festival’s Annual Most Wanted Preview Tour. In addition to traditional and modern folk artists and singer-songwriters, we frequently feature other musical genres, such as jazz, blues, cajun-zydeco, popular song, and even the occasional evening of avant garde gamelan music!

Our 2014-15 Season at a Glance

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bannerandmike

photo by John Kramer

Saturday, December 6, 7:30 pm: 
The Andy Statman Trio 
at Irvington Town Hall Theater
Saturday, January 24, 7:30 pm: 
Joe Crookston with special guests, The Levins
Saturday, February 28, 7:30:  
The Murphy Beds and FADA
Saturday, March 28, 7:30: 
The Kennedys
Saturday, April 25, 7:30: 
Eliza Gilkyson
Saturday, May 16, 7:30: 
Jon Brooks with Fred Gillen, Jr.

Saturday, December 6, 8 pm: The Andy Statman Trio

Posted on Updated on

Common Ground Community Concerts
and
Irvington Town Hall Theater
85 Main St, Irvington, NY

present

The Andy Statman Trio

“Andy Statman, clarinet and mandolin virtuoso, is an American visionary” — The New Yorker

” … One of the most important Jewish creative artists of the postwar era.” — The Jerusalem Post

Bill Monroe and John Coltrane poured into one person… He plays all those just great crazy jazz kind of licks, but with the heart and fire of Bill Monroe … I don’t know anyone else that approaches the mandolin the way he does.” —Ricky Skaggs, NPR

Had there been a planetarium in 19th century Galicia, or a kosher deli in Depression-era Kentucky, Andy Statman’s music might have been playing in the background. Meandering through time, geography and culture, the man and his inimitable hybrid sound move freely among the before, the after, and the present.

Andy Statman, one of his generation’s premier mandolinists and clarinetists, thinks of his compositions and performances as “spontaneous American-roots music and personal, prayerful hasidic music, by way of avant-garde jazz.” This modest man takes for granted that a performer might embody several worlds in his art, and seems humbled by the fact that his music, like his story, is extraordinary.

It’s a story Andy Statman rewrites with his trio every time they perform: “We’re creating an experience between the audience and us,” with their unconstrained meditations on hasidic music and groove-driven explorations of American-roots music. Statman’s long-time collaborators are bassist Jim Whitney and percussionist Larry Eagle. “At a certain point,”says Statman, “we’re just talking, just having a three-way conversation.” This “conversation” changes each time they take the stage, with no melody sounding quite the same as it did before. A totally un-self conscious performer, Andy Statman leaves audiences elated and at times mystified, having experienced a musical performance unlike any other.

In addition to the Andy Statman Trio, Jim Whitney appears in many musical worlds as a bassist. He is an original member of the jazz-bluegrass fusion group The Wayfaring Strangers, and has performed with such acting stars as Meryl Streep, John Goodman and Philip Seymour Hoffman as a member of the group Parabola, under the direction of composer/conductor Carter Burwell. He has appeared with jazz notables Anthony Braxton, Bill Frisell and Alan Dawson, and has worked with bluegrass luminaries Richard Greene, Tim O’Brien, David Grisman and Darol Anger. Also a proficient electric bass player, he appears in the country-rock group Miller’s Farm, and is a member of singer/pianist Debbie Deane’s soul and groove trio. Jim has toured extensively, having performed in Europe, Japan, Singapore, Israel, Central America, New Zealand, Canada, and much of the U.S.

Drummer and percussionist Larry Eagle keeps his musical portfolio diversified.  He’s a founding member of Bruce Springsteen’s Sessions Band (which won a Grammy for traditional folk music), and played on R&B/Soul artist John Legend’s Grammy-winning second album.  He’s played on a Blues Grammy nominee (with Odetta), a Country & Western Grammy nominee (with Andy) and recorded albums with bluegrass superstar Ricky Skaggs and powerful jazz/soul singer Lizz Wright.  Larry has performed on The Tonight Show, Late Night with Conan O’Brien, Good Morning America, PBS, the BBC and an ice-breaking Baltic Sea ferry out of Naantali, Finland.

Tickets:
Advance – $35 – VIP (First four rows Center Orchestra);  $25 – Rest of orchestra, balcony, boxes 3-6; $15 – Slightly obstructed viewing seats including box seats 1-2
At the Door Sales – $38 – VIP (First four rows Center Orchestra); $28 – All other seats (Rest of orchestra, balcony, box);  $18 –  Slightly obstructed seats including 1st box seats 1-2

RED MOLLY ORDER BAR

Saturday, January 24, 7:30 pm: Joe Crookston with special guests, The Levins

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Common Ground Coffeehouse
@ The First Unitarian Society of Westchester
25 Old Jackson Avenue
Hastings-on-Hudson NY
presents

Joe Crookston

with special guests, The Levins

Joe Crookston of Ithaca, New York, is an artist, writer, singer, guitar picker, painter, clawhammer banjo player, eco-village member and believer in all things possible. You’ll be pulled in by the magic and musical world he creates, and you’ll end up in the moment, humming and buzzing with the rest of the crowd. He’ll sing to you—you’ll sing with him. He’s plumbing for lyrical gold, like some kind of social archaeologist. Joe’s story songs are universal, masterful and his concerts are a grand celebration of all of us. Come to a show … you’ll ride along mystical, historical, and humorous roads, and twist through personal stories along the way—stories of amber eyes, Oklahoma towns, rattlesnake tails, Grandmother Moons, Galway heather, meter maids and silver crowns. At the end of the night, you’ll leave inspired, with a renewed sense of what’s possible. Joe appears tonight in a duet performance with Peter Glanville. Together as the BlueBird Jubilee, Joe and Peter have played to full houses at Festivals and Performing Arts Centers across the U.S.

Opening the evening is The Levins. ( pronounced The L’Vins ) Ira and Julia Levin combine harmony-driven acoustic folk rock with wistful overtones of the 1930s and the intention of putting a smile on your face. Original tunes, guitar, piano and voices provide a full sound with unexpected harmonies and unique arrangements. It’s Happy-Folk, Smile Pop….sounds like The Mamas and The Papas having coffee with Cole Porter. 2011 Winners of the Connecticut Folk Festival Songwriting Competition.

Tickets: $18 in advance, $20 at the door

Eventbrite - Joe Crookston, with special guests The Levins

Saturday, March 28, 7:30 pm: The Kennedys

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Common Ground Coffeehouse
@ The First Unitarian Society of Westchester
25 Old Jackson Avenue
Hastings-on-Hudson NY
presents

The Kennedys

“Byrdsy jangle, boy-girl harmonies…irresistible” -Rolling Stone
“Unabashed, hook-laden pop” -Village Voice
“More hooks than Marilyn Monroe’s closet” -Chicago Sun-Times

In a career that now spans two decades, New York duo Maura and Pete Kennedy have traversed a broad musical landscape, surveying power pop, acoustic songwriting, organic rock rooted in their early days in Austin, and a Byrds-inspired jangle that drew the attention of Roger McGuinn, Steve Earle, and most notably Nanci Griffith.

On their new release, Closer Than You Know, The Kennedys strike out into new territory, this time inspired by a sojourn in Paris, where they immersed themselves in the turn of another century, the time when Debussy and Ravel were inventing the sonic palette of modern music. No strangers to reinvention, Pete and Maura came up with a cappuccino-fueled concept at a small café in Montmartre: music inspired by the Impressionist composers, married to the rock and pop sounds for which the duo have long been known. In the spirit of Paris-trained composer Burt Bacharach and his lyricist partner Hal David, Pete took on the task of creating musical landscapes that would cushion Maura’s lyrics and bell-like harmonies. The songs have a quality, inherent in Maura’s voice, that is both soothing and urgent. As writers and producers, the Kennedys continue to mature, from their early style-conscious pop to today’s burnished sheen. Always tuned to their own muse, Pete and Maura have once again come up with a unique sound that is as uplifting as it is unclassifiable.

Tickets: $18 advance, $20 at the door

Eventbrite - The Kennedys

Saturday, April 25th, 7:30 pm: Eliza Gilkyson

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Common Ground Coffeehouse
@ The First Unitarian Society of Westchester
25 Old Jackson Avenue
Hastings-on-Hudson NY
presents

Eliza Gilkyson

Eliza Gilkyson is a Grammy-nominated singer, songwriter and activist who has become one of the most respected musicians in Roots, Folk and Americana circles.   The daughter of legendary songwriter Terry Gilkyson, she entered the music world as a teenager, recording demos for her father.  Since then she has released 19 recordings of her own, and her songs have been covered by such notables as Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash.

She has appeared on NPR, Austin City Limits, Mountain Stage, e-town, XM Radio, Air America Radio and has toured worldwide as a solo artist and in support of Richard Thompson, Patty Griffin, Mary Chapin Carpenter, Dan Fogelberg, as well as with the  Woody Guthrie review, Ribbon of Highway-Endless Skyway, alongside the Guthrie Family, Jimmy Lafave, Slaid Cleaves, and special guests Pete Seeger, Jackson Browne and Kris Kristofferson.  She has been inducted into the Austin Music Hall of Fame alongside such legends as Willie Nelson, Townes Van Zandt and Nanci Griffith and is an ongoing winner of the Austin Chronicle’s various music awards, as well as Folk Alliance awards for Best Artist, Best Songwriter and Record of the Year.

Her 2005 album Land of Milk and Honey was nominated for a Grammy for Best Contemporary Folk Album.  Eliza’s meditative “Requiem,” written as a prayer for those who lost their lives in the devastating tsunami in Southeast Asia, was recorded by the nationally recognized choral group Conspirare, whose version was nominated for a Grammy and won the prestigious Edison Award in Europe.  The song has become a standard in choir repertory the world over.  Two of her songs appeared on Joan Baez’ Grammy-nominated record, Day After Tomorrow.

In addition to touring in support of the highly acclaimed Roses at the End of Time, Eliza and her son, producer Cisco Ryder, are hard at work on a new album, The Nocturne Diaries, scheduled for release on March 18, 2014.

Eliza is an active member of the Austin music and political community, including the environmental organization Save Our Springs (www.sosalliance.org ), and she is a co-founder of  www.5604manor.org , an Austin-based activist resource center.

Tickets: $20 in advance, $25 at the door
Eventbrite - Eliza Gilkyson

Saturday, May 16, 7:30 pm: Jon Brooks, with Fred Gillen, Jr.

Posted on Updated on

Common Ground Coffeehouse
@ The First Unitarian Society of Westchester
25 Old Jackson Avenue
Hastings-on-Hudson NY
presents

Jon Brooks, with Fred Gillen, Jr.

“I write songs to calm those who’ve looked into, and seen, what is in their hearts. I also write songs to terrify those who have not.” — Jon Brooks, September 2013

It was in 1997, at 28 years old, and at the end of a year of travelling throughout Eastern Europe, the former Soviet Union, and particularly, throughout war ruined Bosnia-Herzegovina – it was during this time when Jon Brooks discovered what kind of song he wanted to write. It was in 2005, 8 years later, he decided he was ready to write and sing that song.

No Mean City, released in 2006, was the first in a trilogy of albums of sparse instrumentation and densely layered poetry – a singular writing style characterized by paradox, understatement, overstatement, and by allusion to Western literary and folk traditions.  It was followed by Ours and the Shepherds in 2007 and Moth Nor Rust in 2009. Each album is imprinted with a theme: architecture and homelessness of the modern urban soul; war; and all the things that neither moth nor rust may touch: love, hope, faith, memory, gratitude, trust, inspiration, and forgiveness.

Delicate Cages was initially released independently in November, 2011 but was formally re-released by Borealis Records in May 2012. The album earned Jon his third ‘Songwriter of the Year’ nomination in 5 years from The Canadian Folk Music Awards. Like its predecessors, the 11 songs on Delicate Cages were inter-woven to the larger common themes of love and fear; and freedom and imprisonment. The idea was inspired by the Robert Bly poem, Taking The Hands: ‘Taking the hands of someone you love,/you see they are delicate cages.’ Also consistent with Jon’s albums, the song subjects were as wide ranging as they were topical and controversial: the Alberta tar sands (Fort McMurray); Bill 101 and Quebec’s language laws (Hudson Girl); Palestinian suicide bombers (Son of Hamas); Bosnian child soldier turned Canadian mixed martial arts fighter (Cage Fighter); and so-called ‘Honour Killing’ (The Lonesome Death of Aqsa Parvez). Morally and politically ambiguous, Delicate Cages, offered what Jon has since called, “necessary and alternative understandings of ‘hope’ and ‘grief’ that are neither sanitized, dumbed down, nor cheapened or degraded by the modern lie of ‘closure.’”

Opening the evening is Fred Gillen Jr. Since his first solo concert in 1996, Gillen has traveled all over the U.S. and Europe singing his songs of hope and struggle at all types of venues, building a devoted following along the way. He feels at home performing at any type and size of venue, from a “house concert” in Indiana to Irving Plaza in New York City, to the main stages of festivals, and everything in between. He has played at many prestigious and famous venues, and just as many farmers markets, coffeehouses, pubs, and union rallies. With his sometimes partner Matt Turk he played for several years in the New York City subways as part of the MUNY (Music Under NY) program. At every performance he opens his heart and pours out the unglamorous but compelling tales of the marginalized and forgotten. His songs have often been described as both painfully intimate and universal, and this is what he strives for in writing them. His live performances are spontaneous celebrations of all that it is to be human; the joy and the pain, the comedy and the tragedy.

Tickets: $18 in advance, $20 at the door

Eventbrite - Jon Brooks, with Fred Gillen, Jr.